James Woodfill is a 1980 graduate of the Kansas City Art Institute and has lived and worked in Kansas City since. As an interdisciplinary artist, his work is focused on direct experience through the composition of objects, occurrences and site. His artworks regularly blur boundaries in their execution, often merging with functional design. His installations bridge the fields of sculpture, painting and public art, and his work in the public realm has extended into education and curatorial projects, writings and numerous urban planning projects and studies.

Woodfill’s gallery installations have been widely recognized, including reviews in Art In America, Art Papers, The New Art Examiner, Hyperallergic, Art Slant and Sculpture Magazine. His public work has recieved numerous awards from the American Institute of Architects, and it has been included twice in the Americans for the Arts/Public Art Network annual “Year in Review.” His work has also been recognized by I.D. Magazine and by Art in America in their “Public Art in Review.” Woodfill currently holds the position of Associate Professor in the Painting Department of the Kansas City Art Institute.

Union Office, Woodfill’s studio in the West Bottoms of Kansas City, also acts as a collaborative platform for studio experiments, public projects, and the integration of practice and community.
    

    
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The archive section on this website is built around the functionality of Are.na , an innovative platform for file sharing and research that allows direct and continuous context building around input. As the archives develop, new juxtapositions will form fluid frameworks as the boundaries between reference and direct work dissolve in service to a more lateralized understanding of the studio process.